
Easton Page
Percussion
Easton Page is a percussionist who developed his passion for performance through studying and playing throughout Southwestern Ontario. Earning a Bachelor of Arts from the University of Waterloo, Easton is the section lead of percussion with the Wellington Wind Symphony, and performs regularly with Guelph Symphony Orchestra, Stratford Symphony Orchestra, and Waterloo Chamber Players. Easton shares his love of music with many community-based ensembles such as the Kitchener-Waterloo Community Orchestra, Kitchener Musical Society Band, and Orchestra at UWaterloo. In addition to concert percussion, Easton also plays drumkit as a member of rock band Pretty To Think, who released their first studio EP in 2017.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I was fascinated by, of all things, pipe band snare drumming as a child! I think though the thing that tipped me over the edge to pick up the sticks was watching the 1996 film ‘That Thing You Do’ - playing drums was what I wanted to be doing from that point on. My love of pipe band music hasn’t changed, though I’ve still never played a pipe snare
If you could perform in any concert hall around the world, which one would it be and why?
I love the sound of Walt Disney Concert Hall, home to the LA Phil - I’d love to have the privilege of stepping onstage in.
What is one piece of advice you would give to aspiring musicians?
Practice of course, but also learn from watching great musicians and how they do their work (go to concerts, and become best friends with YouTube!), network, and be present and professional from the moment you walk in to when you leave. Play well, but just as important, be a really great professional colleague to work with to leave a lasting positive impression!
What do you think is the most rewarding aspect of being part of an orchestra?
The collaboration and constant inspiration! As percussionists, we’re always searching for the right sounds and techniques to breathe life into the notes on the page; I’m constantly learning from my colleagues and from what the music demands, and that constant growth is so rewarding.

